Course Description

Photography: Theory & Criticism will examine historic and contemporary philosophical, aesthetic, and epistemological topics addressing the evolution of theories germane to contemporary photographic discourse. As a class, we will address structuralism, post-structuralism, deconstruction, semiotics, and the taxonomy of visual representation from simulacrum to social classification analysis. Conceptual understanding and the successful application of the topics addressed throughout this course are designed to further develop your photographic lexicon. The application of thoughtful, theory-based ideas can be employed to promote visual solutions to challenges in the design, execution, and creation of your work. Theories and topics discussed in the readings will be introduced with supporting imagery for discussion and debate. Active discussion and participation are core requirements of this course.

Thursday, May 26, 2011

Class03 Readings

Class 03 Readings:

A Democracy of the Image: Photographic Portraiture and Commodity Production by John Tagg

Ideology and Criticism from The Limits of Representation by Michel Foucault

NOTE:  You are to identify and bring to class three to five images that represent/support/contradict/illustrate the selected theories presented by Tagg and Foucault.

Next class please have your identified peer review DRAFT.  This is a ruff outline of the work you will be providing a critical review on due class 05.  If you have any questions please contact me.

For more information on John Tagg and Michel Foucault please visit:

John Tagg
http://www2.binghamton.edu/art-history/faculty/jtagg/index.html

Michel Foucault
http://www.michel-foucault.com/index.html


Thursday, May 19, 2011

Class02 Readings

Class 02 Readings:

Selections from Camera Lucida by Roland Barthes


Benjamin and the Political Economy of the Photograph by W. J. T. Mitchell


In Our Image by Wright Morris

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Additional information regarding the authors:

Roland Barthes:
http://www.kirjasto.sci.fi/rbarthes.htm

W.J.T. Mitchell
 http://humanities.uchicago.edu/faculty/mitchell/
Good video:
http://www.youtube.com/watch?v=w9-c1vfykhw

Wright Morris
http://www.unl.edu/plains/publications/resource/morris.shtml

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Note: MFA or Gallery papers will be due next class.  Please be prepared to turn in and discuss your paper in class.

Tuesday, May 10, 2011

Class01 Readings

Reading: The Work of Art in the Age of Mechanical Reproduction by Walter Benjamin (1935)

Reading: Ways of Seeing by John Berger (1972)  

VIEW:


Conversations: Photography from the Bank of America Collection (MFA)

Identify and research one author featured in the exhibition and prepare a brief one page review of the work (note: your review is not to be a description of the work on display but a thoughtful analysis of the exhibition) due class three (3)    

Prepare and post response notes (a minimum of two paragraphs per essay) to the class forum